Conga Drums in Space and Time
Musical Theory of Time Positions and Polymetry, with Percussion Notation for Hand Drums
About the Book
Afro-Cuban percussion contributes essential characteristics to the richness of Latin American musical folklore, and its rhythmic systems hold a complexity and sophistication that deserve greater study among both learned and popular musical spheres.
In Conga Drums in Space and Time, author Jorge Pardo presents an exploration of the surprising ways rhythms can create three-dimensional space when properly structured, considering Afro-Cuban percussion in particular. He charts the emotional excitement felt by listeners when exposed to syncopated rhythms using a thought-provoking theory of time positions. These ideas then carry over into Pardo’s own system of hand drum notation (HDN), a simple and straightforward iconography that allows percussionists of any level to sight-read two hand patterns and play authentic Conga rhythms in a short time. Through a combination of theory and practical exercises, Pardo takes musicians on an unusual rhythmic journey of discovery.
Intriguing and challenging, this bilingual study explores the unexpected relationship between music and three-dimensional space and provides a simple and accessible system for percussion notation.
About the Author
Jorge Pardo is an architect and amateur musician. A member of the American Institute of Architects (AIA) and the New York Academy of Sciences (NYAS), he is a designer, inventor, and author of research and technical articles, and he maintains the study of polyrhythmic music as a performer and teacher.